Bible Romances, First Series — Background and Themes

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In Category - Theology
Foote, G. W. (George William), 1850-1915 Project Gutenberg 2009 Not confirmed
Free thought; Bible Readers of public-domain and historical texts
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Words 50,634
Reading time 221 min
Text sections 6

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G. W. Foote's 1883 polemic dissects biblical narratives as myths, using scientific and logical arguments to challenge literal readings. The first series targets stories from Genesis to Exodus, exposing internal contradictions and historical implausibilities.
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There was a civilisation in Egypt thousands of years before the alleged creation of Adam. The Cushite civilisation was even more ancient Archaeology shows us traces of man's presence, in a ruder state, long before that. The researches of Mr. Pengelly in Kent's Cavern prove that cave-men lived there more than two-hundred thousand years ago; while geological investigations in the Valley of the Somme have established the fact that primitive men existed there in the tertiary period. Professor Draper writes:--"So far as investigations have gone, they indisputably-refer the existence of man to a date remote from us by many hundreds of thousands of years. It must be borne in mind that these investigations are quite recent, and confined to a very limited geographical space. No researches have yet been made in those regions which might reasonably be regarded as the primitive habitat of man. We are thus carried back immeasurably beyond the six thousand years of Patristic chronology. It is difficult to assign a shorter date for the last glaciation of Europe than a quarter of a million of years, and _human existence antedates that_. The chronology of the Bible is thus altogether obsolete."

The idea of a seven-days' creation was not confined to the Jews: it was shared by the Persians and Etruscans. The division of the year into months and weeks is a general, although not a universal practice. The ancient Egyptians observed a ten-days' week, but the seven-days' week was well known to them. The naming of the days of the week after the seven Planets was noted by Dion Cassius as originally an Egyptian custom, which spread from Egypt into the Roman Empire. The Brahmins of India also distinguish the days of the week by the planetary names. This division of time was purely astronomical. The Jews kept the Feast of the New Moon, and other of their ceremonies were determined by lunar and solar phenomena. We may be sure that the myth of a seven-days' creation followed and did not precede the regular observance of that period.

There is one feature of the Hebrew story of creation which shows how anthropomorphic they were. The Persians represent Ormuzd as keeping high festival with his angels on the seventh day, after creating all things in six. But the Hebrews represent Jehovah as _resting_ on the seventh day, as though the arduous labors of creation had completely exhausted his energies. Fancy _Omnipotence_ requiring rest to recruit its strength! The Bible, and especially in its earlier parts, is grossly anthropomorphic. It exhibits God as conversing with men, sharing their repasts, and helping them to slaughter their foes. It represents him as visible to human eyes, and in one instance as giving Moses a back view of his person. Yet these childish fancies are still thrust upon as divine truths, which if we disbelieve we shall be eternally damned!

Let us now examine the Creation Story internally. In the first place we find two distinct records, the one occupying the whole of the first chapter of Genesis and the first three verses of the second, at which point the other commences. These two records belong to different periods of Jewish history. The older one is the Elohistic, so called because the creator is designated by the plural term _Elohim_, which in our version is translated _God_. The more modern one is the Jehovistic, in which Elohim is combined with the singular term _Jehovah_, translated in our-version _the Lord God_. The Elohistic and Jehovistic accounts both relate the creation of man, but instead of agreeing they widely differ. The former makes God create man in his own image; the latter does not even allude to this important circumstance. The former represents man as created male and female at the outset; the latter represents the male as created first, and the female for a special reason afterwards. In the former God enjoins the primal pair to "be fruitful and multiply and replenish the earth;" in the latter there is no such injunction, but on the contrary, the bringing forth of children in sorrow is imposed upon the woman as a punishment for her sin, and she does not appear to have borne any offspring until after the expulsion from the Garden of Eden. Lastly, the Elohistic record makes no mention of this Paradise, in which, according to the Jehovistic record, the drama of the Fall was enacted, but represents man as immediately commissioned to subdue and populate the world. Such discrepancies are enough to stagger the blindest credulity.

G. W. Foote opens his polemic by invoking Professor Huxley to frame the Book of Genesis as a repository of what was once considered sound science. He immediately establishes a central tension: the clergy, he argues, know the creation account to be false yet continue to preach it because the doctrine of the Fall underpins the scheme of Atonement. Foote positions his work as an appeal to the people in the name of science, scholarship, and common sense, aiming to show the absurdity of what he calls the clergy's paid preaching. The tone is combative and direct, with Foote declaring that the Creation Story is incoherent, discrepant, and intrinsically absurd.

Contradictions in the Creation Account

Foote's examination of the Genesis creation story focuses on internal discrepancies. He points out that light is created on the first day, yet the sun and moon are not made until the fourth day—a sequence he finds logically impossible. He also notes that vegetation appears on the third day, before the sun exists to sustain it. These observations are drawn directly from the biblical text, and Foote uses them to argue that the narrative cannot be historically or scientifically accurate. He further highlights the problem of evening and morning being counted before the sun's creation, questioning how such timekeeping could function. The argument is built on close reading, not external sources, and Foote presents each contradiction as a clear flaw in the literal interpretation.

The Exodus as a Logistical Impossibility

In the section on the Exodus, Foote shifts from theological critique to practical arithmetic. He calculates that 600,000 men on foot, plus women, children, and a mixed multitude, would have numbered over two million people. He then works through the logistics: the sick, the elderly, and new mothers with infants would have to travel; flocks and herds numbering two million sheep and two hundred thousand oxen would require vast grazing land; the column of people alone would stretch twenty-two miles. Foote asks pointed questions: how could such a multitude gather in one night, how could they carry provisions for a month through a desert, and how could the animals survive on barren ground? His method is to take the biblical numbers at face value and test them against physical reality, concluding that the narrative is a romance, not history.

The Rhetoric of Exposing Romance

Foote's rhetorical strategy is consistent throughout: he treats the Bible as a text to be analyzed with the same scrutiny applied to any ancient document. He frequently uses the word 'romance' to label stories he considers fictional, and he contrasts the claims of scripture with the findings of science and common sense. His tone is often sarcastic, as when he notes that Jewish mothers would have needed an average of forty-two sons each to reach the census numbers. He also accuses the clergy of hypocrisy, suggesting they disbelieve the stories they preach. Foote's intended audience is the layperson, and he avoids technical jargon, instead using vivid examples and plain language. The work is structured as a series of standalone chapters, each tackling a different biblical episode, which allows readers to engage with specific controversies without needing to read the whole book.

Foote's Bible Romances is best approached as a specimen of late-Victorian freethought polemic, where the author's aim is not scholarly neutrality but rhetorical persuasion. Readers interested in the history of biblical criticism or the secularist movement will find here a clear example of how popular skeptics used logic and arithmetic to challenge religious orthodoxy. The book's value lies less in its originality—many of its arguments were common among freethinkers—than in its direct, accessible style and its focus on specific textual problems.

That rainy afternoon, Foote’s sharp dismantling of Genesis left me oddly tender toward the old text itself. I wanted to hear the raw cadence again, unexamined. So I found myself turning to The Bible, King James version, Book 6: Joshua — Edition Insights, where the walls of Jericho fall without a single question asked.

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  • ...
    Samuel Burch - 1 month ago
    {'rating': 2, 'text': "I was expecting a more rigorous scholarly analysis of the biblical romances, but the book leans heavily into speculative fiction. The author takes considerable liberties with the text, adding dramatizations that may mislead readers unfamiliar with the original scripture. While creative, it often prioritizes literary flourish over theological accuracy. For a serious study of the Bible, this book may disappoint; it's better suited for casual readers who don't mind embellishment."}

  • ...
    April Love - 1 month ago
    {'rating': 3, 'text': "The book offers an interesting exploration of biblical stories, framing them within a literary and historical context. I appreciated the author's attempt to humanize the characters and delve into their emotions. However, at times the prose felt overly ornate, and the romanticized language might distract readers seeking straightforward analysis. Still, it's a decent read for those who enjoy a more creative approach to scripture."}

  • ...
    Tony Moore - 2 weeks ago
    {'rating': 5, 'text': "As a lover of biblical narratives and literary analysis, 'Bible Romances First Series' was a delightful find. The author masterfully weaves historical context with poetic interpretation, bringing familiar stories to life in a fresh and engaging way. It's scholarly yet accessible, making complex theological themes relatable. I found myself deeply moved by the retellings, which preserved the sacred essence while exploring the human dimensions of these ancient figures. A must-read for anyone seeking a deeper, more personal connection to scripture."}


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