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Bible Romances, First Series — Background and Themes
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50,634 recorded words. 2 minutes difference from this book's estimate.
View Gutenberg source #30209Before opening Atheism in Pagan Antiquity — Background and Themes, the edition data offers a quick orientation: 50,148 words, 3 hr 39 min estimated reading time, and 14 detected text sections.
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About 221 minutes
Theology
50,634 recorded words. 2 minutes difference from this book's estimate.
View Gutenberg source #30209About 222 minutes
Theology
51,031 recorded words. 3 minutes difference from this book's estimate.
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Read on Project GutenbergDrachmann opens his inquiry by confronting a definitional problem: atheism in pagan antiquity cannot be equated with modern denial of God. He narrows the term to mean rejection of the existence of the ancient gods—a stance that, he notes, has become universal among modern readers. This framing immediately distinguishes his project from philosophical atheism and anchors it in the concrete religious conceptions of Greeks and Romans.
The excerpts show a methodical reliance on textual evidence: oracles, novels, historical accounts, and philosophical treatises. Drachmann does not merely assert decline in belief; he cites specific episodes—the Phocian seizure of Delphi, Polybius on Dicaearchus’s altars to “godlessness and lawlessness”—to trace changing attitudes. His approach is philological and historical, not speculative.
Drachmann’s introduction establishes a crucial distinction: his study concerns not philosophical atheism but the denial of the gods of popular worship. He writes that “we are nowadays all of us atheists” regarding the Greek and Roman pantheon, a claim that reframes the inquiry as an investigation into how ancient people themselves understood disbelief. The definition is deliberately narrow, excluding later philosophical concepts of God. This precision allows Drachmann to examine specific accusations of atheism—such as those leveled against Socrates or the Epicureans—without anachronism. The excerpts do not reveal whether he applies this definition consistently throughout the book, but the opening chapters likely trace the term’s usage from Homeric times through late antiquity.
Drachmann draws on diverse sources to gauge the weakening of traditional belief. He points to the Hellenistic novels, where fate is governed by Tyche rather than the gods, and notes that these works reached a broad audience. He also examines the decline of oracles: the Delphic Oracle’s loss of political influence after the Holy War, Strabo’s observation of indifference in his day, and Plutarch’s monograph on oracles ceasing to function. The detail that Delphi once employed three priestesses but later needed only one is a concrete marker of diminished demand. Drachmann interprets these phenomena as symptoms of a shift in religious sentiment, though he acknowledges that the connection to atheism is not always straightforward.
The excerpts include a striking account of Philip V’s admiral Dicaearchus, who reportedly erected altars to “godlessness and lawlessness” and sacrificed on them. Drachmann cites Polybius as the source, noting that the admiral’s practice “must have answered to his theory.” This episode illustrates how acts of impiety could be interpreted as deliberate statements. Drachmann also discusses the destruction of temples during the war between Philip and the Aetolians, suggesting that such actions reflect a weakening of reverence for the old gods. However, he does not claim that these acts prove widespread atheism; rather, he presents them as evidence of changing attitudes toward sacred spaces and institutions.
Drachmann’s study is best approached as a philological investigation rather than a philosophical argument. Readers should attend to his careful separation of ancient and modern definitions of atheism, and to the way he uses specific historical events and literary texts as evidence. The excerpts suggest a work that is cautious in its claims, grounding broad observations in particular sources. Those interested in the history of religion or classical reception will find a methodical treatment of a topic often treated anachronistically.
I kept thinking about how the ancients questioned what everyone else simply accepted as truth. It made me wonder about the quiet persistence of belief itself, and how these old stories shape what we hold onto. That feeling followed me into The Bible in its Making: The most Wonderful Book in the World — Edition Insights, which felt like watching a different kind of certainty take form, slowly, almost gently. Strange how both stayed with me.
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